{"title":"Classical Music","description":"","products":[{"product_id":"gustav-mahler-symphony-no-1","title":"Gustav Mahler - Symphony No. 1","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStaatskapelle Dresden - Conductor: Otmar Suitner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eUnusual though the First Symphony is, it is one of Mahler's best known and most beloved works today. There are now recordings with unprecedented sound quality. The analogue recordings from 1963 were the foundation for Christoph Stickel’s subtle “refurbishing”. The aim was in no way to interfere artificially. The recordings were merely “rid of noise”.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe Dresden Philharmonic State Orchestra and Hermann Prey under the leadership of Otmar Suitner were denied from many music lovers because of the restricted travel conditions in the GDR. Now there are recordings with unprecedented sound quality and release worldwide for the first time. Protagonists involved count as unique and have found their place in history books.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: ETERNA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Langsam, Schleppend\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Kräftig bewegt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Feierlich gemessen, ohne zu schleppen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Stürmisch bewegt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56052260766031,"sku":"000102000","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56052260798799,"sku":"000103000","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Gustav_Mahler_Symphony_No1_Cover.jpg?v=1759326666"},{"product_id":"famous-arias-from-mozart-operas-with-hermann-prey","title":"Famous Arias From Mozart Operas With Hermann Prey","description":"\u003cdiv class=\"accordion-icon-container\" data-is-open=\"false\" aria-hidden=\"true\"\u003e\n\u003cdiv class=\"plus\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accordion-item__dropdown accordion-item__dropdown--open\" role=\"region\" id=\"dropdown-block-yui_3_17_2_1_1741945975964_266253-0\" aria-labelledby=\"button-block-yui_3_17_2_1_1741945975964_266253-0\"\u003e\n\u003cdiv class=\"accordion-item__description\"\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStaatskapelle Dresden - Conductor: Otmar Suitner\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe FonoForum wrote on 7\/96: “..all very songlike, unaffected and brilliantly sung – harmoniously accompanied by Otmar Suitner and the Dresden Philharmonic State Orchestra.”\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThere are now recordings with unprecedented sound quality. The analogue recordings from 1970 were the foundation for Christoph Stickel’s subtle “refurbishing”. The aim was in no way to interfere artificially. The recordings were merely “rid of noise”.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe Dresden Philharmonic State Orchestra and Hermann Prey under the leadership of Otmar Suitner were denied from many music lovers because of the restricted travel conditions in the GDR. Now there are recordings with unprecedented sound quality and release worldwide for the first time. Protagonists involved count as unique and have found their place in history books.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: ETERNA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Der Vogelfänger bin ja ich\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Ein Mädchen oder Weibchen wünscht Papageno sich!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Papagena! Papagena! Papagena!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Rivolgete a Lui lo sguardo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Donne mie la fate a tanti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Fin ch’han dal vino calda la testa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Deh vieni all finestra\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Metà die voi qua vadano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Ho capito, signor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Bravo, signor padrone \/ Se vual ballare, signor contino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Non più andrai, farfallone amoroso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Tutto é disposto \/ Aprite un po’quegl’ occhi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Hia gia vinta la causa \/ Vedró mente io sospiro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56053945499983,"sku":"000102001","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56053945532751,"sku":"000103001","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Hermann_Prey_Mozart_Arias_Cover.jpg?v=1759330172"},{"product_id":"ludwig-van-beethoven-missa-solemnis","title":"Ludwig van Beethoven - Missa Solemnis Op. 123 in D Major","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGewandhausorchester Leipzig - Conductor: Kurt Masur\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eMissa Solemnis Op.123 - Ludwig van Beethoven's most important Mass. This recording from 1972 was released in the former GDR by the prestigious classical music label Eterna. Interpreted by Kurt Mazur, the legendary Kapellmeister of the Gewandhausorchestra, it includes contributions from important artists such as Anna Tomowa-Sintow, Annelies Burmeister, Peter Schreier, Hermann Christian Polster and the Rundfunkchor Leipzig. The great composer's humanist ideal has rarely been so convincingly expressed.\u003cbr\u003eThe recordings are now available in unprecedented sound quality. The original analogue recordings from 1972 form the basis of Christoph Stickel's unobtrusive \"refurbishing\" which aims to avoid any artistic intervention. You, the valued listener, will be transported back into the sound engineer's chair at the time of recording.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: ETERNA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Kyrie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Gloria\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Credo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Sanctus Benedictus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Agnus Dei\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 3 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060018622799,"sku":"000102002","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060018655567,"sku":"000103002","price":895.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Beethoven_Missa_Solemnis_Cover.jpg?v=1759387417"},{"product_id":"george-gershwin-rhapsody-in-blue-an-american-in-paris","title":"George Gershwin - Rhapsody In Blue \u0026 An American In Paris","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLeonhard Bernstein - Columbia Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eGeorge Gershwin's \"Rhapsody In Blue\" and \"An American in Paris\", together here on one of the legendary recordings from 1958 - 1960 (released on Columbia Records, Sony). On the podium for both interpretations is the grandmaster Leonard Bernstein. \"Rhapsody In Blue\" is played by the Columbia Symphony Orchestra with the luminary Bernstein himself taking over the piano part. The New York Philharmonic Orchestra then plays \"An American In Paris\" under his leadership. Critics praised the works by saying they \"shine with a compelling choice of tempo, as well as a fantastic balance between suspense and simplicity, emotion and objectivity; because they blossom without getting lost indynamic control.\"\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe recordings are now available in unprecedented sound quality. The original analogue recordings from the years 1958-1960 form the basis of Christoph Stickel's unobtrusive \"refurbishing\" which aims to avoid any artistic intervention. You, the valued listener, will be transported back into the sound engineer's chair at the time of recording.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Sony\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Rhapsody In Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 An American In Paris\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 1 Precision Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eClaus Müller\u003c\/strong\u003e\u003cspan\u003e from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor the full review, visit \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiotapereview.com\/0212021gershwinrhapsody\" target=\"_blank\"\u003e\u003cu\u003ehttps:\/\/www.audiotapereview.com\/0212021gershwinrhapsody\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060028158287,"sku":"000102003","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060028191055,"sku":"000103003","price":570.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/George_Gershwin_Rhapsody_American_In_Paris_Cover.jpg?v=1759388011"},{"product_id":"puccini-maria-callas-tosca","title":"Puccini - Maria Callas - Tosca","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eIn November 1989, the trade magazine FonoForum wrote: \"This production of Tosca, stark and full of dramatic intent, has been indispensable to the catalogues since its first appearance. Great operatic theater on record in a way that is seldom achieved today. Pretre also excels himself on the podium. The sound is immediate and raw\".\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eOn this recording, Maria Callas as Floria Tosca, Carlo Bergonzi as Mario Caravadossi and Tito Gobbi, in the role of Baron Scarpia, set radiant standards that are almost unequaled to the present day.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe recordings are now available in unprecedented sound quality. The original analogue recordings from 1964 form the basis of Christoph Stickel's unobtrusive \"refurbishing\" which aims to avoid any artistic intervention. You, the valued listener, will be transported back into the sound engineer's chair at the time of recording.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Warner\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Ah! Finalmente!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Dammi i colori!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Gente là dentro!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Mario! Mario! Mario!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Ah, quegli occhi … Qualé occhio al mondo puó star di paro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 É bueno la mia Tosca\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Un tal baccano in chiesa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Or tutto é chiaro … Tosca? Che non mi veda … Mario! Mario!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Ed io venivo a lui tutta doglioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Tre sbirri, una carrozza\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Tosca è un buon falco! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Ha più forte\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Meno male! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 Dov´è dunque Angelotti? \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Ed or fra noi parliam da buoni amici…Sciarrone, che dice il Cavalier? \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 Orsù, Tosca, parlate \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 Nel pozzo…nel giardino \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 Se la giurata fede debbo tradir \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 Vissi d´arte\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 Vedi, le man giunte io stendo a te!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 E qual via scegliete?\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 lo de´sospiri\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e23 Mario Cavaradossi? A voi \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 E lucevan le stelle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25 Ah! Franchigia a Floria Tosca \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 O dolci mani mansuete e pure\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e27 E non giungono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 Com´è lunga l´attesa!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e29 Presto! Su, Mario! Mario! Su! Presto! Andiam!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 4 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 4 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060038054223,"sku":"000102004","price":970.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060038086991,"sku":"000103004","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Puccini_Maria_Callas_Tosca_Cover.jpg?v=1759388658"},{"product_id":"richard-strauss-also-sprach-zarathustra","title":"Richard Strauss - Also Sprach Zarathustra","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBoston Symphony Orchestra\u003cbr\u003eWilliam Steinberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\"The Boston Symphony has never sounded better\" wrote Stereo Review in 1971, and another critique stated that \"when listening it turns out to be a most exquisite interpretation played with passion and emotion\".\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eSuch was the experts' opinion on the Boston Symphony Orchestra's Zarathustra under the direction of William Steinberg.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eStrauss's Zarathustra is not only a \"philosophy in notes\", but also a work of systematically designed symphonic music, furnished with all the necessary climaxes and contrasts, in which Richard Strauss demonstrates the orchestral tonal palette with virtuosity.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe recordings are now available in unprecedented sound quality. The original analogue recordings from the 24th March 1972 (Symphony Hall, Boston) form the basis of Christoph Stickel's unobtrusive \"refurbishing\" which aims to avoid any artistic intervention. You, the valued listener, will be transported back into the sound engineer's chair at the time of recording.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Sehr Breit - Von Den Hinterweltlern\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Weniger Breit - Von Der Großen Sehnsucht\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Bewegter - Von Den Freuden Und Leidenschaften\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Bewegt - Das Grablied\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Etwas Ruhiger, Ausdrucksvoll - Von der Wissenschaft\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Sehr Langsam - Der Genesende\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Energisch - Das Tanzlied\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Nachtwandlerlied\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 1 Precision Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060062531919,"sku":"000102005","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060062564687,"sku":"000103005","price":570.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Strauss_Also_Sprach_Zarathustra_Cover.jpg?v=1759389906"},{"product_id":"the-reiner-sound-ravel-rachmaninoff","title":"The Reiner Sound - Ravel \u0026 Rachmaninoff","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eThe Chicago Symphony Orchestra - Fritz Reiner, conductor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eRCA's \"golden age\" was more like a \"golden minute\" - in a scant period, roughly from 1958 to 1963, the beginning of the stereo era - pure vacuum tube amplification helped produce recordings demonstrating unparalleled fidelity and warmth, lifelike presence and midband illumination.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eYet another giant of the Living Stereo series featuring the unparalleled pairing of Fritz Reiner and the Chicago Symphony Orchestra. The Isle Of The Dead is a truly awesome orchestral spectacular with dynamic peaks that will stun most listeners. Also included is the equally stirring version of Rhapsodie Espagnole.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003ePackaged in the original tip-on jacket facsimiles that precisely duplicate the original cover art, including the \"Living Stereo\" logo, LSC numbers and \"Shaded Dog\" label. There are now recordings with unprecedented sound quality. The analogue recording were the foundation for Christoph Stickel’s subtle “refurbishing”. The aim was in no way to interfere artificially. The recordings were merely “rid of noise”.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRefurbished by Christoph Stickel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Sony\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Rapsodie Espagnole - Prélude À La Nuit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Rapsodie Espagnole - Malagueña\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Rapsodie Espagnole - Habanera\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Rapsodie Espagnole - Feria\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Rapsodie Espagnole - Pavan For A Dead Princess\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Isle Of The Dead, Op. 29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060074754383,"sku":"000102011","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060074787151,"sku":"000103011","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Reiner_Sound_Ravel_Rachmaninoff_Cover.jpg?v=1759390510"},{"product_id":"carl-orff-carmina-burana","title":"Carl Orff- Carmina Burana","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eRadio Sinfonie Orchester Leipzig\u003cbr\u003eRundfunkchor Leipzig (Leipzig Radio Choir)\u003cbr\u003eConductor: Herbert Kegel\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eRecorded: Oct.\/Nov. 1974, Versöhnungskirche Leipzig (Reconciliation Church)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eBorn in Munich in 1895, Carl Orff is one of the most fascinating musical theatre figures of the period. His characteristic and distinctive style was sparked by an attraction to sonic experimentation. A fact which makes listening to this uncompressed recording a special delight.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe traditional orchestra arrangement with a choir and soloists as well as a large, slightly unusual percussion section, make up the typical \"Orff\" sound.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eHerbert Kegel is considered one of the leading, if not the undisputed best conductor of contemporary music. Carl Orff himself was an ardent admirer of Kegel's recordings.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: ETERNA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 O Fortuna\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Fortune plango vulnera\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Veris leta facies\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Omna Sol temperat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Ecce gratin - Uf dem anger\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Tanz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Floret silva\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Chramer, gip die varwe mir\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Reie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Were diu were alle min\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Estuans interius\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Olim lacus colueram\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Ego sum abbas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 In taberna quando sumus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Amor volat undique\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 Dies, nox et omnia\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 Stetit puella\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 Circa mea pectora\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 Si puer cum puellula\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 Veni, veni, venias\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 In trutina\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 Tempus est iocundum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e23 Dulcissime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 Ave formissima\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25 O Fortuna\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060099395919,"sku":"000102012","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060099428687,"sku":"000103012","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Carl_Orff_Carmina_Burana_Cover.jpg?v=1759391258"},{"product_id":"gustav-holst-the-planets","title":"Gustav Holst - The Planets","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eNew England Conservatory Chorus\u003cbr\u003eBoston Symphony Orchestra\u003cbr\u003eWilliam Steinberg\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\"The Planets\", Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, each named after a planet and its corresponding astrological character, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. With the exception of Earth, which is not observed in astrological practice, all the planets are represented.\u003cbr\u003eThe idea of the work was suggested to Holst by Clifford Bax, who introduced him to astrology when the two were part of a small group of English artists holidaying in Majorca in the spring of 1913; Holst became quite a devotee of the subject, and liked to cast his friends' horoscopes for fun.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe analogue recording were the foundation for Christoph Stickel’s subtle “refurbishing”. The aim was in no way to interfere artificially. The recordings were merely “rid of noise”.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Mars, the Bringer of War\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Venus, the Bringer of Peace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Mercury, the Winged Messenger \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Jupiter, the Bringer of Jollity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Saturn, the Bringer of Old Age \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Uranus, the Magician\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Neptune, the Mystic\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSteinberg creates great excitement in \"Jupiter\" and elsewhere, and his orchestra is on its toes throughout.\u003cbr\u003e\u003cem\u003eRecord Review \/ David Mellor, Classic FM (London) \/ 01. April 2004\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eHolst's \"The Planets\" gets a well-considered reading . . . The orchestral playing is superb . . . \u003cbr\u003e\u003cem\u003eRecord Review \/ Peter Joelson, Audiophile Audition \/ 14. June 2012\u003c\/em\u003e\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060159885647,"sku":"000102013","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060159918415,"sku":"000103013","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Gustav_Holst_The_Planets_Cover.jpg?v=1759392980"},{"product_id":"friedrich-gulda-beethoven-diabelli-variations","title":"Friedrich Gulda - Beethoven Diabelli Variations","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\"The purest Beethoven of the decade\"\u003c\/strong\u003e (Joachim Kaiser) pure and unadulterated.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe Diabelli Variations are a cycle of extremes, rich in contrast, dramatic, as if made for Friedrich Gulda, the punk among pianists, who always rejected conventions, digging almost manically into the depths of the works and bringing new things to the ears.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eIn his work, \u003cstrong\u003eBeethoven\u003c\/strong\u003e unites old and new currents of music history into a unique crystallisation point. He combines the strictly horizontal way of thinking of the Baroque, as found in fugues, with the vertical way of composition of the Classical period, which found expression in the sonata form - and yet he questions every tenet of faith and reaches far ahead of the freedom of Romanticism. \u003cbr\u003e\u003cstrong\u003eGulda\u003c\/strong\u003e, a lover of fast cars, drives so fearlessly consistently into the steep walls of this wide-ranging work as no other pianist. When loud, then really loud, when quiet, then silky smooth - to the furthest point allowed by the centrifugal force of the composition, to the centre of which he has always been drawn. In this race, Gulda, with his literally limitless musical knowledge, drives a sovereign line of his own. \u003cbr\u003eAs a great lover of Bach and Mozart, whose works he has grappled with all his life, as a composer and jazz musician, Gulda flies over the dynamic edges of Beethoven's compositions in order to plumb the core of the works. \u003cbr\u003eThus Joachim Kaiser wrote of Gulda as early as the 1960s: \"He plays the most eloquent, natural, captivating and pure Beethoven of our decade.\" At the end of the decade in question is this recording, which has become a standard. \u003cbr\u003eAs a congenial artistic partner, the legendary \u003cstrong\u003eMPS\u003c\/strong\u003e founder and sound purist \u003cstrong\u003eHans Georg Brunner-Schwer\u003c\/strong\u003e portrays Gulda's radical piano dramaturgy with the microphones hung directly over the strings of the piano in an almost vividly tangible way. Preserving the unique sound of this recording, which is so deeply interwoven with the interpretation, is at the core of the new edition. \u003cbr\u003eAt the MSM Studio in Munich, which specialises in the audiophile refurbishment of analogue tapes, mastering engineer \u003cstrong\u003eChristoph Stickel\u003c\/strong\u003e has cleaned the almost 46-year-old master tape of traces of ageing in a purely analogue and extremely careful manner and has uncovered the sound of the recording as it was intended by Gulda and Brunner-Schwer.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: MPS\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Thema und Variationen 1-10\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Thema und Variatonen 19-33\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060190130511,"sku":"000102014","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060190163279,"sku":"000103014","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Gulda_Beethoven_Diabelli_Variations_Cover.jpg?v=1759393670"},{"product_id":"andre-previn-rachmaninoff-2nd-symphony","title":"André Previn - Rachmaninoff 2nd Symphony","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAndré Previn conducts The London Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAndré Previn\u003c\/strong\u003e writes:\u003cbr\u003eThe LSO (London Symphony Orchestra) and I have been playing this particular Symphony for a long time, and in a great many places. We‘ve given performances throughout Europe, the United States, the Far East, and in Russia, and no matter how otherwise disparate the local culture or history, Rachmaninov‘s passionate music reached out to every listener. One of the most unforgettable events of my musical life was seeing members of the Moscow audience openly and unabashedly weeping during the performance.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eI used to be guilty of making the so-called „official“ cuts in this lengthy work. While in Leningrad I was told that actually Rachmaninov only liked a small cut in the Finale. On re-examining the score I decided to re-instate every note, even that small cut which the composer himself had made. It makes the Symphony undeniably long, but I feel that its honesty, its power, its heart-felt lyricism can stand it. I confess it freely and eagerly: I love this work, and so does the LSO, and we will continue to play it for a long time to come.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Warner\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Largo - Allegro moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Scherzo (Allegro molto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Finale (Allegro vivace)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060242821455,"sku":"000102015","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060242854223,"sku":"000103015","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Andre_Previn_Rachmaninov_Cover.jpg?v=1759394901"},{"product_id":"glenn-gould-bach-italian-concerto","title":"Glenn Gould - Bach Italian Concerto","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGlenn Gould at the piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e“He plays Bach,” wrote a distinguished critic, Professor Heinrich Neuhaus, “as if he were on of the pupils of the Thomaskirche cantor, sharing his meals with him in the refectory and blowing the organ when his teacher played for his parishioners … The music seems to speak through his playing; the composer has been dead long since but his music is alive today and it will live long...”\u003cbr\u003eSuch is the praise that has greeted each appearance of Glenn Gould, this distinguished Canadian pianist. When Mr. Gould made his recording debut, with the immensely difficult and demanding Goldberg Variations of Bach, his performance was so masterful that it elicited bravos from critics who found it difficult to believe that a young artist could offer such probing, sensitive interpretations.\u003cbr\u003eOf his Washington debut, Paul Hume wrote „Glenn Gould is a pianist with rare gifts for the world… We know of no other pianist anything like him of any age.“\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Sony\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Presto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Praeludium\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Allemande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Corrente\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Sarabande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Menuet I; Menuet II\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Giga\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Sinfonia (Grave Adagio, Andante)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Allemande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Courante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Sarabande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 Rondeaux\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Capriccio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eClaus Müller\u003c\/strong\u003e from Audio Tape Review rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003cbr\u003eFor the full review, visit \u003ca href=\"https:\/\/www.audiotapereview.com\/0262022gouldbach\" target=\"_blank\"\u003e\u003cu\u003ehttps:\/\/www.audiotapereview.com\/0262022gouldbach\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e“The foremost pianist this continent has produced in recent decades,” wrote Critic Alfred Frankenstein in High Fidelity Magazine.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e“A pianist of divine guidance,” said Jay Harrison in the \u003cem\u003eNew York Herald Tribune\u003c\/em\u003e.\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060269658447,"sku":"000102016","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060269691215,"sku":"000103016","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Glenn_Gould_Bach_Italian_Concerto_Cover.jpg?v=1759395815"},{"product_id":"itzhak-perlman-brahms-violin-concerto","title":"Itzhak Perlman - Brahms Violin Concerto","description":"\u003cp data-rte-preserve-empty=\"true\"\u003ein D, Op. 77\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e – composer\u003cbr\u003e\u003cstrong\u003eCarlo Maria Giulini\u003c\/strong\u003e – conductor\u003cbr\u003e\u003cstrong\u003eItzhak Perlman\u003c\/strong\u003e – violin\u003cbr\u003e\u003cstrong\u003eChicago Symphony Orchestra\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eChristopher Bishop\u003c\/strong\u003e – recording producer\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eHeroic, dramatic, reflective and joyous, Brahms’s Violin Concerto — written for the great Joseph Joachim, a close friend of the composer — is one of the monuments of the Romantic repertoire. In a performance of epic sweep, Itzhak Perlman and Carlo Maria Giulini do full justice to its ambitions.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Warner\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Allegro non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Allegro giocoso, ma non troppo vivace\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060311601487,"sku":"000102017","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060311634255,"sku":"000103017","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Perlman_Brahms_Violin_Concerto_Cover.jpg?v=1759396650"},{"product_id":"martha-argerich-chopin","title":"Martha Argerich - Chopin","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eThe Legendary 1965 Recording\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e“When Martha Argerich walked into the studio it was her dark, smouldering looks which first struck me. As soon as she arrived she asked for coffee; when I offered her a cup she gulped it down in one go and asked for more. I sat her in the studio with a large pot of coffee and went int the control room. At first, her hands moved casually over the keyboard as she tested the piano. Then she launched into Chopin’s PolonaiseOp. 53. I sat up in my chair with a long drawn out “Jee-sus” - the balance engineer said ‘Wow’!” (producer Suvi Raj Grubb)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eMartha Argerich has been described as “unquestionably one of the greatest pianists of all time”. She recorded this recital in 1965, shortly after her victory in the prestigious Chopin Competition, but it only became available in 1999. “Argerich was quite the most formidable player we had ever come across,” said Grubb, “I smiled as I recollected Clara Schumann’s remark to Brahms about the Paganini Variations, regretting that it was beyond a woman pianist’s capability. Nothing would have been beyond this woman.”\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eAll this adds up to a recording that is indeed legendary.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eRecorded in the Abbey Roads Studios, London in 1965,\u003cbr\u003eProducer Suvi Raj Grubb\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Warner\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Allegro maestoso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Scherzo: molto vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Finale: Presto, non tanto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Mazurka No. 36 in A minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Mazurka No. 37 in A flat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Mazurka No. 38 in F sharp minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Nocturne No. 4 in F\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Scherzo No. 3 in C sharp minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Polonaise No. 6 in A flat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56060332998991,"sku":"000102018","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56060333031759,"sku":"000103018","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Martha_Argerich_Chopin_Cover.jpg?v=1759397356"},{"product_id":"peter-schreier-mozart-der-odem-der-lieber","title":"Peter Schreier - Mozart Der Odem der Liebe","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePeter Schreier – the Mozart tenor of the 20th century\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003ePeter Schreier\u003c\/em\u003e is unquestionably one of the greatest tenors of the twentieth century. For over 40 years he was known above all for his embodiment of Mozart tenor roles, and dazzled as a lieder singer in songs by Schubert, Schumann and Hugo Wolf. The sacred works of Johann Sebastian Bach, his oratorios and passions, formed another key element in the repertory of this native Saxon. He sang at all the world’s major opera houses – at the New York Met, at La Scala in Milan, in Buenos Aires, Vienna and Paris – and needless to say on his “home turf” of Dresden and Berlin. Not forgetting his many years of guest appearances at the Bayreuth and Salzburg Festivals. It was in Salzburg, in 1967, that he sprang into the breach as Tamino in place of Fritz Wunderlich, who died so tragically young. The successes that followed thick and fast upon that were to make Peter Schreier into the opera world’s Mozart tenor of choice in the course of the following decades.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e“Mozart was always my primary field of activity, the core of my opera repertoire. The Lukaskirche in Dresden has been almost a second home to me since the 1960s; that is where I made so many recordings for the Eterna record label. The 1967 gramophone record “Der Odem der Liebe” (the breath of love) featuring Otmar Suitner and the Staatskapelle Dresden was produced during my Salzburg debut as Tamino in “The Magic Flute”. My Tamino was something of a showpiece, a key element of my professional career, and remained so right up to my last performance at the Staatsoper in Berlin in 2000. My very last opera performance, to be precise. It gives me the greatest of pleasure to know that this early recording from the Eterna days is available again, on vinyl and as a CD release.”\u003cbr\u003e\u003cem\u003e(Peter Schreier, Dresden 2016)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Hier soll ich denn sehen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Constanze, dich wiederzusehen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Wenn der Freude Tränen fließen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Ich baue ganz auf deine Stärke\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Un’ aura amorosa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 In qual fiero contrasto - Tradito schernito dal perfido cor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Come mal creder deggio - Dalla sua pace la mia dipende\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Amici, amici - Il mio tesero intanto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Se all’ impero, amici Die!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56061608689999,"sku":"000102019","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56061608722767,"sku":"000103019","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Peter_Schreier_Mozart_Odem_der_Liebe_Cover.jpg?v=1759417113"},{"product_id":"peter-roesel-beethoven-sonatas","title":"Peter Rösel - Beethoven Sonatas","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLudwig van Beethoven – Mondscheinsonate - Pathétique - Appassionata\u003cbr\u003ePeter Rösel - Piano\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBeethoven’s most popular piano sonatas\u003cbr\u003e\u003c\/strong\u003eBeethoven’s piano sonatas are part of the standard keyboard repertoire. The three favourites, whose legendary status has earned them their lasting popularity, are the “Moonlight Sonata”, the “Appassionata” and the “Pathétique”. Here they can be enjoyed in great performances by pianist \u003cem\u003ePeter Rösel\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e“When, at the end of the 1970s, I was asked by the head of production at Eterna to record these three famous Beethoven sonatas, I wanted a little time to think about the proposal before accepting. That was because in the GDR you were expected to exceed the achievement of a record already released featuring the same works. The performer on the existing recording was Wilhelm Kempff, so the bar for a young pianist was set pretty high. Nevertheless, I decided to go ahead … and accept the challenge. Without wanting to seem immodest, I can say that I was pretty satisfied with the result, and I still am today. The fact that the recording will now be made available on both CD and vinyl for today’s music lovers gives me immense pleasure.\"\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003e(Peter Rösel, Dresden 2016)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Adagio sostenuto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Allegretto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Presto agitato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Grave - Allegro di molto e con brio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Adagio cantabile\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Rondo. Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Allegro assai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Andante con moto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Allegro ma non troppo - Presto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56061781639503,"sku":"000102020","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56061781672271,"sku":"000103020","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Peter_Roesel_Beethoven_Sonatas_Cover.jpg?v=1759417887"},{"product_id":"johann-sebastian-bach-messe-in-h-moll","title":"Johann Sebastian Bach - Messe in H-Moll","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eExcerpts from Messe In H-Moll BWV 232\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePeter Schreier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eNeues Bachisches Collegium Musicum zu Leipzig\u003cbr\u003eLucia Popp\u003cbr\u003eCarolyn Watkinson\u003cbr\u003eEberhard Büchner\u003cbr\u003eSiegfried Lorenz\u003cbr\u003eTheo Adam\u003cbr\u003eRundfunkchor Leipzig\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: ETERNA\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Kyrie eleison\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Gloria in excelsis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Et in terra pax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Laudamus te\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Quoniam to solus sanctus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Cum sanctu Spiritu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Et in unum Dominum\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Et incarnatus est\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Crucifixus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Et resurrexit\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Osanna in excelsis\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Agnus Dei\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Dona nobis pacem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56061788913999,"sku":"000102021","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56061788946767,"sku":"000103021","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Bach_Messe_H-Moll_Cover.jpg?v=1759418148"},{"product_id":"carl-orff-die-kluge","title":"Carl Orff - Die Kluge (The Wise Girl)","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eRadio Sinfonie Orchester Leipzig\u003cbr\u003eHerbert Kegel, conductor\u003cbr\u003eRecorded: 1978\/79 Paul Gerhardt Kirch, Leipzig\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eBorn in Munich in 1895, Carl Orff is one of the most fascinating musical theatre figures of the period. His characteristic and distinctive style was sparked by an attraction to sonic experimentation. A fact which makes listening to this uncompressed recording a special delight.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe traditional orchestra arrangement with soloists and a large, slightly unusual percussion section, make up the typical \"Orff\" sound.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eHerbert Kegel is considered one of the leading, if not the undisputed best conductor of contemporary music. Carl Orff himself was an ardent admirer of Kegel's recordings.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 1. - 3. Szene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 4. - 5. Szene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 6. - 9. Szene (Anfang)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 9. Szene (Schluss) - 12. Szene\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 4 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56061854122319,"sku":"000102022","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56061854155087,"sku":"000103022","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Carl_Orff_Die_Kluge_Cover.jpg?v=1759419930"},{"product_id":"kurt-sanderling-schostakowitsch-symphony-no-5","title":"Kurt Sanderling - Schostakowitsch Symphony No. 5","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eDimitri Schostakowitsch Symphony No.5 In D Minor Op.47\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBerlin Symphony Orchestra\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe conductor Kurt Sanderling (1912-2011) first met Dmitri Shostakovich during WW2. Colleagues first, the men went on to forge a strong personal friendship that affords a unique insight into both the music and character of this most conflicted composer. Sanderling recorded most of the symphonies with the Berlin Symphony Orchestra, which he led from 1960 to 1977, but it’s his dark, deeply moving account of the Fifteenth with the Berlin Philharmonic that I’d want for my desert island. Originally issued on the BP’s own label, it’s well worth scouring the internet for a used copy of that recording – coupled with a genial performance of Haydn’s Symphony No. 82 ‘The Bear’.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eOf course there’s plenty of competition in this, Shostakovich’s most recorded symphony. Among the most satisfying Fifths I’ve encountered in recent years are two Euroarts videos: Leonard Bernstein’s with the LSO in 1966 and Yutaka Sado’s with the Berlin Phil in 2011. Both belong at the more volatile end of the scale, whereas Andris Nelsons’ recent Boston recording – part of his ongoing cycle for DG – seems comparatively laid-back. I say ‘seems’ because behind its public clamour lurks a reading of remarkable intensity and insight that I found quite overwhelming. Indeed, that’s probably the most revelatory account of this great symphony that I’ve ever heard, either on record or in the concert hall.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cbr\u003eSo, where does Sanderling’s BSO Fifth fall in this spectrum? The first movement is certainly measured – perhaps spacious is a better description – but then there’s a startling vulnerability here that I wasn’t prepared for. Clearly this is not the overt, scruff-grabbing approach that one associates with, say, Bernstein, and some may find this thoughtful, proportionate reading a little too subdued. Those upward-winding string figures certainly aren’t as anguished as they can be, but then there’s no denying the quiet, compelling authority of this performance. \u003cbr\u003e\u003cbr\u003eI was particularly taken with the lovely pastoral quality of this opener, its idylls circled by threatening storm clouds. If you’re looking for extra angst and urgency you won’t find it here; what you will encounter, though, is a rare transparency – witness that light, perky march tune – and sensibly scaled tuttis. In many ways this is a very \u003cem\u003emusical\u003c\/em\u003e reading which, like Paavo Jarvi’s ‘paradigm shifting’ \u003ca href=\"http:\/\/www.musicweb-international.com\/classrev\/2015\/Apr\/Shostakovich_sy7_PTC5186511.htm\"\u003eSeventh\u003c\/a\u003e, reveals – and revels in – a lyricism that belies the composer’s reputation for crudity and bombast. If that is what Sanderling is trying to highlight here he succeeds admirably. \u003cbr\u003e\u003cbr\u003eThe playing of this East German band – the fall of the Wall was still seven years away – is warm and plangent; the very refined recording, with plenty of air and detail, adds to the sense of a performance deeply felt and gratefully given. There’s point and polish to the \u003cem\u003eAllegretto\u003c\/em\u003e, not to mention some beguiling string passages that bring to mind Mahler at his most easeful and bucolic. I realise this conductor’s unhurried pace won’t please everyone, but for others it’s a wonderful opportunity to rejoice in the score’s inner workings. And no, such instruction is not achieved at the expense of pulse or purpose.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eAs for the \u003cem\u003eLargo\u003c\/em\u003e it’s both spacious and beautifully spun. Yes, there’s a small hiatus at one point – a bad edit, perhaps – but that hardly matters in the presence of such exemplary musicianship. At times there’s a Beethoven-like strength\/stoicism to the lower strings, which contrasts most strongly with the pliant loveliness of the BSO woodwinds. Here, more than anywhere else in this performance, one senses these are personal utterances, not public proclamations, and that Sanderling brings us much closer to Shostakovich the man than most of his rivals do. \u003cbr\u003e\u003cbr\u003eBy the time we get to the \u003cem\u003eAllegro non troppo\u003c\/em\u003e it’s as if we’ve come to the end of a long and very eventful journey. Sanderling really is a wonderful guide, revealing all the details and nuances that others miss. His finale is brisk and cleanly articulated – such attack in the violins, and what muscular timps – with no hint of the pale gestures or empty rhetoric that so often afflict this problematic finale. Like Nelsons he builds to that great coda without recourse to unnecessary artifice, so that when those mighty bass-drum thwacks arrive the effect is simply overwhelming. \u003cbr\u003e\u003cbr\u003eThis is not the only recording of Shostakovich’s Fifth I’d want to own, but it’s certainly one I’d welcome. More than anything else there’s an openness to this performance, an honesty if you prefer, that illuminates the score in the most unexpected ways. Factor in a first-class remastering – no steely strings, bloated bass or coarseness in the climaxes – and you have a very special release indeed.\u003cbr\u003e\u003cbr\u003eA fresh, unaffected Fifth, chock-full of insight and character; not to be missed. \u003cbr\u003e\u003cem\u003eDan Morgan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Moderato - Allegro non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Allegretto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56061863887183,"sku":"000102023","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56061863919951,"sku":"000103023","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Sanderling_Schostakowitsch_Symphony_No5_Cover.jpg?v=1759420225"},{"product_id":"heifetz-munch-beethoven-violin-concerto","title":"Heifetz \u0026 Munch - Beethoven Violin Concerto","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBeethoven Violin Concerto In D, Op.61\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBoston Symphony Orchestra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eHeifetz’s Beethoven Violin Concerto\u003c\/strong\u003e with \u003cstrong\u003eCharles Munch\u003c\/strong\u003e is the greatest recording of its kind. It’s pointless in a work this lyrical and calm to accuse Heifetz of overpowering the music–he doesn’t–and while there will always be favorite versions that view the work from a more, well, “olympian” perspective (Oistrakh\/Cluytens, or Menuhin\/Furtwängler, for example), Heifetz and Munch play the music with a classical poise and chiseled perfection that is very special. In the first movement particularly, the swift basic tempo produces a tension, a quiet energy that seems very much to Beethoven’s point, while the Larghetto and Finale couldn’t be better paced. It goes without saying that Heifetz’s flawless intonation and ear-catching articulation leave most other players in the shade, and if this comes across as “cold” to some listeners then that impression cannot be due to any lack of nuance or sensitivity.\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eClassicsToday.com\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Sony\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 First Movement: Allegro, ma non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Cadenza: Auer-Heifetz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Second Movement: Larghetto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Third Movement: Rondo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079081537871,"sku":"000102024","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079081570639,"sku":"000103024","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Heifetz_Munch_Beethoven_Violin_Concerto_Cover.jpg?v=1759732831"},{"product_id":"david-igor-oistrach-bach-vivaldi","title":"David \u0026 Igor Oistrach - Bach \u0026 Vivaldi","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBach\u003c\/strong\u003e Concerto for two Violins, BWV 1043\u003cbr\u003e\u003cstrong\u003eVivaldi\u003c\/strong\u003e Concerto grosso Op.3 No. 8\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eA Father And Son between Two Worlds\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe existing recordings of Vivaldi’s \u003cem\u003eConcerto Grosso in A minor op. 3\/8\u003c\/em\u003e and Bach’s \u003cem\u003eConcerto for two violins in D minor BWV 1043\u003c\/em\u003e came into being in April 1957 at Leipzig’s Kongresshalle. Since their joint debut in 1947, the Bach \u003cem\u003eDouble Concerto\u003c\/em\u003e was the central work in the joint repertoire of David and Igor Oistrakh, which they performed in numerous concerts before David’s death in 1974. The then Eterna boss Dieter-Gerhardt Worm reminisces: “David Oistrakh was a very kind and approachable person. You can hear this in his recordings. His playing is so unbelievably accomplished yet nevertheless so humanly accessible. He was seized with the ambition to be at least as good as Menuhin, whose Bachian style he greatly admired. During the recording of the Bach \u003cem\u003eViolin Sonatas\u003c\/em\u003e in Dresden’s Lukaskirche, he constantly disappeared from the studio with his little tape recorder in order to listen to excerpts of Menuhin’s recording. And yet he had a much better technique, in fact the recordings with Oistrakh moved along very quickly.” – The recordings from 1957\/58 were remastered in original monaural reproduction qual\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Vivace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Largo, ma non tanto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Larghetto e spiritóso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Allegro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 1 Precision Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eClaus Müller\u003c\/strong\u003e\u003cspan\u003e from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor the full review, visit\u003c\/span\u003e\u003ca href=\"https:\/\/www.audiotapereview.com\/0242022bachoistrach\" target=\"_blank\"\u003e \u003cu\u003ehttps:\/\/www.audiotapereview.com\/0242022bachoistrach\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079113879887,"sku":"000102025","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079113912655,"sku":"000103025","price":570.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Oistrach_Bach_Vivaldi_Cover.jpg?v=1759733443"},{"product_id":"arthur-rubinstein-chopin-the-nocturnes","title":"Arthur Rubinstein - Chopin The Nocturnes","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eChopin’s nocturnes could well have been written for the voice, their beautiful, lyrical melodies unfolding with a magic that few composers for piano can match. Arthur Rubinstein understood their childlike wonder, his playing refreshingly, charmingly simple. The bell-like tone of his right hand soars artlessly over subtle accompaniment, and everything is delicately pedalled, tempos just so. Bask in Op. 15 No. 3 or Op. 27 No. 1 to hear the mastery of Rubinstein’s control: fortes never growl, pianissimos are exquisite. And the elegant ornamentation in Op. 32 No. 1 shows a stunning technique at the total service of Chopin’s timeless music.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eRecorded at: \u003cbr\u003eRCA Italiana, Studio A, Rome, Italy, 1965, August\/September - 1967, February\u003cbr\u003eAnalog refurbished by Christoph Stickel - csmastering.de\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Sony\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 No. 3 in G minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 No. 1 in C-sharp minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 No. 2 in D-flat major\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 No. 1 in G minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 No. 2 in G major\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 No. 1 in C minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 No. 2 in F-sharp minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 No. 1 in F minor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 No. 2 in E-flat major\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 No. 1 in B major\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"accordion-icon-container\" data-is-open=\"false\" aria-hidden=\"true\"\u003e\n\u003cdiv class=\"plus\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"accordion-item__dropdown accordion-item__dropdown--open\" role=\"region\" id=\"dropdown-block-yui_3_17_2_1_1741778883752_69519-2\" aria-labelledby=\"button-block-yui_3_17_2_1_1741778883752_69519-2\"\u003e\n\u003cdiv class=\"accordion-item__description\"\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 4 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 4 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFelix Hennevogl\u003c\/strong\u003e from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Interpretation.\u003cbr\u003eFor the full review, visit\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.audiotapereview.com\/1072026chopinrubinsteinnocturnes\" target=\"_blank\"\u003e https:\/\/www.audiotapereview.com\/1072026chopinrubinsteinnocturnes\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079182889295,"sku":"000102026","price":970.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079182922063,"sku":"000103026","price":995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Arthur_Rubinstein_Chopin_Nocturnes_Cover.jpg?v=1759734228"},{"product_id":"edward-elgar-cello-concerto-sea-pictures","title":"Edward Elgar - Cello Concerto \u0026 Sea Pictures","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCello Concerto\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSoloist: \u003cstrong\u003eJaqueline Du Pré\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRecorded at Kingsway Hall, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSea Pictures \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSoloist: \u003cstrong\u003eJanet Baker\u003c\/strong\u003e, Contralto\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRecorded at Abbey Road Studios, London\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eThe London Symphony Orchestra\u003c\/strong\u003e conducted by\u003cstrong\u003e Sir John Barbirolli\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003eFirst issued in 1965, few recordings have lasted so well and, in the case of \u003cem\u003eSea Pictures\u003c\/em\u003e, carried on getting better. Du Pré's account of the concerto, made when she was barely 20, made her a star overnight and remains the work with which she's most often identified. Her forceful, highly emotional performance won't be to all tastes or occasions, but it brings the work to life like few others. Not just the poignancy of the opening, or the aching nostalgia of the \"Adagio\", but the quicksilver brilliance of the \"Scherzo\" and cumulative energy of the finale are really made to tell. Barbirolli gives marvellously understanding support here and in \u003cem\u003eSea Pictures\u003c\/em\u003e. It also established its soloist--Janet Baker, and remains the deepest and most perceptive recording this song-cycle is ever likely to have! Baker makes light of the sometimes gauche poetry and awkward word-setting, giving the music a sweep and nobility typical of Elgar at his best. \u003cbr\u003e\u003cem\u003eRichard Whitehouse\u003c\/em\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003eLabel: Warner\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cspan\u003e01 Adagio - Moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Lento - Allegro molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro, ma non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Sea Slumber Song\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 In Heaven\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Sabbath Morning At The Sea\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Where Corals Lie\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 The Swimmer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eClaus Müller from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003cbr\u003eFor the full review, visit \u003ca rel=\"noopener\" href=\"https:\/\/www.audiotapereview.com\/1032026elgarcelloconcertoseapictures\" target=\"_blank\"\u003ehttps:\/\/www.audiotapereview.com\/1032026elgarcelloconcertoseapictures\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079197700431,"sku":"000102027","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079197733199,"sku":"000103027","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Elgar_Cello_Concerto_Cover.jpg?v=1759734702"},{"product_id":"johannes-brahms-symphony-no-1","title":"Johannes Brahms - Symphony No. 1","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFranz Konwitschny - Gewandhausorchester Leipzig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFranz Konwitschny Conducts Brahms' Symphony No. 1\u003cbr\u003e\u003c\/strong\u003eApart from these high-profile concert activities, Franz Konwitschny was inseparably associated with the foundation and development of the new Eterna label. Between 1959 and 1961 Eterna issued all Beethoven’s and Schumann’s symphonies in the then innovative stereo format. Like all Konwitschny’s late recordings, these gramophone records are now sought-after collector’s items that offer interpretations of lasting significance.\u003cbr\u003eOne such notable document of the great maestro is the present recording of Johannes Brahms’s \u003cem\u003eFirst Symphony\u003c\/em\u003e, made in June 1962 only weeks before Konwitschny’s death. The producer of this recording, Dieter-Gerhardt Worm, praises “the coherence and euphony of the interpretation. Konwitschny does nothing subjectively, he interprets the work. When I played Konwitschny the recording in hospital before his last concert tour, tears of joy rolled down his face.” Worm, who worked on most of Konwitschny’s recordings as a young production manager for the Eterna label, remembers the focused studio work and the immense artistic importance of the conductor: “As a conductor, he was always one of the greatest for me. What he did as a Bruckner conductor, for instance, was incredible. Konwitschny was more than a musician to whom one could say anything; he was someone who knew instinctively how to apply what he had learnt and integrate it into his conducting gestures.”\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Un poco sostenuto - Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Andante sostenuto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Un poco Allegretto e graziosa\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Adagio - Allegro non troppo, ma con brio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079220769103,"sku":"000102028","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079220801871,"sku":"000103028","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Brahms_Symphony_No1_Cover.jpg?v=1759735716"},{"product_id":"hector-berlioz-symphonie-fantastique","title":"Hector Berlioz - Symphonie Fantastique","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDresdner Philharmonie – Herbert Kegel\u003c\/strong\u003e, conductor\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAn Unravelling Sound To Fill Space\u003cbr\u003e\u003c\/strong\u003eThe conductor Herbert Kegel had an instinctive flair for unravelling sound to fill space and thus made full use of the exceptional acoustics of the Lukaskirche in Dresden, which became his regular recording studio (for the Eterna label). The challenge there was to achieve a finely balanced fusion of sound and complete audibility in the tutti sections – after all, Herbert Kegel never aspired to the opulence associated with Karajan. One might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked). Although Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music. It is clear from the track list that this re-released recording is one of the slowest in his discography, not that this is at all noticeable at any stage of the listening experience: one might say that the composition has been put under an acoustic magnifying glass to bring out details that are little appreciated (e.g. secondary parts that are often overlooked).\u003cbr\u003eAlthough Kegel’s finely nuanced style aims to develop contrasts of both sound and dynamics, his agogics never appear arbitrary but always in line with the formal progression of the music.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Träumereien, Leidenschaften\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Ein Ball\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Szene Auf Dem Lande\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Der Gang Zum Richtplatz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Beim Hexen-Sabbat\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079238267215,"sku":"000102029","price":570.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079238299983,"sku":"000103029","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Hector_Berlioz_Symphonie_Fantastique_Cover.jpg?v=1759736314"},{"product_id":"kurt-masur-schumann-tschaikowski","title":"Kurt Masur - Schumann \u0026 Tschaikowski","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRobert Schumann \u003c\/strong\u003e– \u003cbr\u003eKonzert für Violoncello und Orchester a-moll op.129\u003cstrong\u003e\u003cbr\u003ePeter Tschaikowski \u003c\/strong\u003e– \u003cbr\u003eRokoko-Variationen A-dur op.33\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGewandhausorchester Leipzig – Kurt Masur – Jürnjakob Timm, Violoncello\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eMasterworks For Violoncello\u003cbr\u003e\u003c\/strong\u003eJürnjakob Timm was for many decades Principal Solo Cellist with the Gewandhaus Orchestra of Leipzig and is today a member of the Gewandhaus Quartet. The cellist has performed as soloist with orchestras in Germany, other European countries, Japan, South America and the USA. In the course of numerous concert tours with the Gewandhaus Orchestra he played cello concertos of the Classical, Romantic and modern eras under the baton of Kurt Masur. The present recording was the first orchestra recording by Jürnjakob Timm for the classical Eterna label. Together with Kurt Masur, the Gewandhaus Orchestra’s director for many years, he recorded two standard works for cello and orchestra in the Paul Gerhardt Church in Leipzig in 1983: Schumann’s \u003cem\u003eCello Concerto in A minor\u003c\/em\u003e and Tchaikovsky’s famous \u003cem\u003eRococo Variations\u003c\/em\u003e.\u003cbr\u003eDecember 2015 was marked by the death of the long-serving Principal Conductor of the Gewandhaus Orchestra and artist of world renown Kurt Masur. “He won over his critics in the course of his long life as a personality distinguished by his bearing, which surpassed music, and as a conductor whose ever more finely nuanced pragmatism of interpretation made the language of the orchestra intelligible, comprehensible, tangible. He was thus a maestro with the human touch, who could move people profoundly.” (Ralf Dombrowski, Der Spiegel)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Nicht zu schnell\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Langsam\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Sehr Lebhaft\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Variationen über ein Rokoko-Thema für Violoncello und Orchester A-dur\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079255109967,"sku":"000102030","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079255142735,"sku":"000103030","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Kurt_Masur_Schuhmann_Tschaikowski_Cover.jpg?v=1759737014"},{"product_id":"ludwig-van-beethoven-gesamtausgabe","title":"Ludwig van Beethoven - Gesamtausgabe","description":"\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe Choral Fantasia op. 80 stands alone among Beethoven's works for large forces. Only the piano introduction is strictly speaking a \"fantasia\"; then the familiar song melody begins in the piano and is subjected to eight variations in which the orchestra takes part before at last being taken up by the chorus. Is it therefore a piano concerto with closing chorus? No, it lacks the usual concerto form. Is it a cantata? No, the preceding sections for piano and orchestra are too extensive and weighty. So it is neither the one nor the other but contains a bit of each! Even the ternary conception of the piano concertos can be discerned, since the introduction - the true \"fantasia\" - is without question to be seen as an independent movement. (Beethoven in fact added it later; in the memorable \"academy\" of December 1808, when he presented the work together with the Fifth and Sixth Symphonies, he improvised that movement on the unaccompanied piano, and his written version still sounds like an improvisation.)\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe ternary structure of the following variations clearly indicates the intention of a middle movement. The variations are sometimes connected with one another by means of short, thoughtful development sections instead of simply being presented in mechanical order, and even in the first four variations, which do simply follow one another, a self-contained chain of ideas is present.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe song melody is initially sung by soloists before being gently modified by the solo flute and then in the shawm-like tones of pairs of oboes and clarinets. There follows a chamber-music variation in the (prescribed) string quartet, and only then does the dominant theme appear unchanged in a jubilant orchestral tutti. Coming after the dark dramatic introduction, this\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\"Arcadian\" thematic procession can without question only be understood programmatically.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe two conflicting sides also collide into one another in the ensuing variations. The dramatic minor-key variation C minor) is followed by the heroic idyll of the large Adagio variation (A major) and the warlike march variation (F major). And only after an elegiac return to the gloomy initial state and an Arcadian welcome by the \"shawms\" is the beautiful song melody heard in the human voices. The last part, the \"Finale\", elevates the work to a cantata. Words are at last permissible.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBut what does the chorus sing? Nobody can fail to hear the unmistakable similarity to the Ode to Joy theme in the Ninth Symphony Beethoven wrote fifteen years later; syllable for syllable, the song melody seems to fit Schiller's text like a glove, yet the text to which Beethoven composed the Choral Fantasia was one ordered for the purpose at the last minute. We know that he did not conceive the work around that text, for he only received it when he was about to start writing the third movement. Nor does it help to point out that the melody already showed up in\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBeethoven's earlier song \"Gegenliebe\" (Bürger), with its striking declamatory irregularities which suggest that he had actually composed the melody for a quite different text at an even earlier stage. The original text could have been Schiller's Ode to Joy, and there do seem to be reasons why he might not have wanted to publish a work containing that text at the time. At any rate, it is probably not wrong to see in the Choral Fantasia the forerunner of the Ninth Symphony, but it was intended as an independent, unique work, and does not represent a \"study\" or \"preliminary stage\".\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBeethoven himself expressed dissatisfaction with the text of the Choral Fantasia, and explicitly asked his Leipzig publisher to produce a more suitable one. His only proviso was that the word\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\"Kraft\" retain its position near the end.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBeethoven's wish was not fulfilled until the middle of the twentieth century, when with a sure feel for the importance of what he was doing, the socialist poet Johannes R. Becher produced a new text to fit the music. Out of misplaced respect for its weak text, the bourgeoisie denied Beethoven's large-scale work, which steers towards the Ninth Symphony, the acclaim due to it. With Becher's appropriate stanzas, the work established itself as an indispensable cultural asset of the German Democratic Republic at the World Festival of Youth in Berlin in 1951.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eIt is in the nature of the other choral works with orchestra presented on this record that they link up without difficulty to the ethos of the Choral Fantasia. Even if we did not keep to the order in which they are presented, the Opferlied would deserve first mention, since Matthisson's poem had haunted Beethoven ever since 1796, when he set \"Adelaide\", likewise by Matthisson, whom he admired. \"For him it seems to have been a prayer through all the ages\" (Nottebohm). He loved nothing better than the end of the second stanza, where \"beauty\" and \"goodness\" are coupled. He often turned the thought into musical mottoes which he gave to friends and visitors.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe marked Classicist conception (female pre-centor with choir) corresponds with the formally perfect linear structure of the parts and the strict reserve in the harmonic sequences. What the parts - vocal and instrumental - have to present here \"with fervent, devout feeling\" was more than just a prayer; it was the solemn disclosure of Beethoven's maxims regarding life and art.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe Bundeslied may be seen as the cheerfully convivial counterpart of the Opferlied. Beethoven published both together as op. 121[b] and op. 122 in the summer of 1825. A publishing journal in Mainz wrote at the time: \"The present work shows how deeply Beethoven empathized with Goethe. Goethe would express the present poem in music in just this way if he were as great a composer as he is a poet.\"\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThere is nothing to add to that apt observation even today, unless it be to mention the almost perfect match between syllables and melody throughout - another aspect which links the Bundeslied with the Ode to Joy theme in the Ninth Symphony. Here too, the song becomes the basic idea of the community. Even the obbligato woodwind parts following the vocal lines were included in the choral finale of the Ninth. The rapidly following pairs of instruments (clarinets, bassoons and horns) lend the Bundeslied a convivial colouring of its very own, which is particularly beautiful in the interludes and at the end.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eBeethoven was less fortunate in the festival chorus to The Consecration of the House, which was performed, together with that far more outstanding overture and other borrowed pieces, for the inauguration in 1822 of the new theatre in the Josefstadt with which he was connected. But even in that chorus, his masterly hand is unmistakably evident, particularly in the noble merging of the soprano solo with the violin cantilena, \"a scene of beautified life\".\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eA few years after writing the incidental music to Egmont, Beethoven combined Goethe's poems Calm Sea and Prosperous Voyage into a small cantata, which he sent to the poet with a gushing dedication after its publication in 1822. The cantata had actually been written during the first months of the Congress of Vienna (1814\/15), a period which speaks for itself. Beethoven would hardly have set the two poems for such ambitious forces if his sole intention had been to musically depict scenes in nature. Goethe's purpose was also more than to merely write superficial nature poetry when he saw the leaden motionlessness of the sea, \"the deathly silence fearsome\" divided by the winds, the fog disperse and the distant land draw nearer. The political Beethoven understood this symbolism more narrowly. To his regret, however, he had to pay dearly for his illusion, for the leaden calm set in more strongly than ever after the victories of the nations over Napoleon. When the first fog at last dispersed, Beethoven was no longer among the living.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eComing at a time when no \"land\" was in sight, his dedication to the \"national poet\" was prophetic, a nationalistically revolutionary appeal on the part of the composer to the poet. Was it this admonition which Goethe felt to be pointed? At any rate, he refrained from thanking Beethoven for setting his two epigrams in a cantata so loaded with meaning.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eHarry Goldschmidt (1970)\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eTranslation: J \u0026amp; M Berridge\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Fantasie c-moll op.80\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Meeresstille und Glückliche Fahrt op.112\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Opferlied op.121b\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Bundeslied op.122\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Die Weihe des Hauses\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079265857871,"sku":"000102031","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079265890639,"sku":"000103031","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Beethoven_Gesamtausgabe_Cover.jpg?v=1759737368"},{"product_id":"maurice-ravel-bolero","title":"Maurice Ravel - Bolero","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eLa Valse - Ma Mère L’oye - \u003cbr\u003ePavane Pour Une Infante Défunte - Bolero\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBerliner Sinfonie-Orchester - Günther Herbig\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eMaurice Ravel\u003c\/strong\u003e (born in Ciboure in 1875; died in Paris in 1937) stands alongside Claude Debussy as one of the two most iconic composers of French music at the start of our century.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003eTwo of Ravel’s most popular works, \u003cem\u003eLa Valse\u003c\/em\u003e and \u003cem\u003eBolero\u003c\/em\u003e, remain in large-ensemble repertoire today. Along with concert performances, there has been no lack of attempts to create different choreographic interpretations of the works.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eLa Valse\u003c\/em\u003e was commissioned in 1919 by Sergei Diaghilev for his Ballets Russes. Ravel was open to the commission, as the requested topic ‘Vienna and its Waltzes’ allowed him to draw on an idea of his from 1906, when he had planned to compose a symphonic poem about the city of Vienna.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eMa mère l’Oye \u003c\/em\u003e(Mother Goose) is a five-part suite based on five popular fairy stories. Ravel wrote it in 1908 as a composition for piano four hands. He later scaled up the work, added instrumentation and finally fully orchestrated the delightful suite in 1912. Every piece in the suite glows with the happiness of a carefree childhood.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003ePavane de la Belle au bois dormant \u003c\/em\u003edepicts the slumbering and then awakening Sleeping Beauty – a melancholic and finely nuanced introduction to the following pieces.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003ePetit Poucet \u003c\/em\u003edescribes the fears and bewilderment of little Tom Thumb as he ventures into the forest, being so careful as he goes to lay a trail of breadcrumbs so that he can find his way home again. But the crumbs are eaten by the birds, and Tom Thumb loses his way.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eLaideronnette, Impératrice des Pagodes \u003c\/em\u003ereigns as Empress of the Pagodas, using black magic to transform her rivals. Using Oriental motifs and tonalities, Ravel creates a piece of rare charm, evokes the exoticism of the Orient and conjures up the splendour of a magnificent palace.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eLes entretiens de la Belle et de la Bete \u003c\/em\u003edepicts “Beauty’s conversation with the Beast”. The girl’s charm is characterised by a light and airy waltz full of atmosphere and great tenderness, while the terrifying Beast is represented by threatening harmonies played on low woodwinds. The honest love of the (enchanted) monster wins Beauty’s heart and leads to the release of the prince from his spell. Ravel symbolises the process of recognition very simply by interweaving both motifs.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eLe Jardin féerique \u003c\/em\u003econjures up the beauty of a magic garden. Freed from all evil taint, the suite comes to a rich, harmonious conclusion, and all live happily ever after.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003ePavane pour une infante défunte \u003c\/em\u003eis dedicated to “the memory of an Infanta”. This formal title honours a Spanish princess entirely of Ravel’s own imagination: “à Madame la Princesse E de Polignac”. The Spanish setting inspired the choice to write a pavane, which is a slow round dance from 16th and 17th century Spain.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eBolero \u003c\/em\u003e– an incomparable work that made the composer a household name around the world.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eBolero \u003c\/em\u003eand \u003cem\u003eLa Valse \u003c\/em\u003eoccupy a special place in the large orchestral repertoire of our time. A performance of these works is not only a touchstone of skill for all conductors, but also proof of the ability of any orchestra.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003eJohannes Reuther (Original LP sleeve notes, 1979) \u003cbr\u003e\u003cem\u003eTranslation: Laura Ball for JMB Translations\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Pavane de la Belle au bois dormant\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Petit Poucet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Laideronnettte, Impératrice de Pagodes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Les entretiens de la Belle et de Bête\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Le Jardin féerique\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Pavane pour un infante défunte\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Bolero\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079313797455,"sku":"000102037","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079313830223,"sku":"000103037","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Maurice_Ravel_Bolero_Cover.jpg?v=1759738080"},{"product_id":"rudolf-kempe-strawinski-britten","title":"Rudolf Kempe - Strawinski \u0026 Britten","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRudolf Kempe\u003c\/strong\u003e - Staatskapelle Dresden \u003cbr\u003eIgor Strawinski - Der Feuervogel (Ballet Suite) \u003cbr\u003eBenjamin Britten - Sinfonia Da Requiem Op.20 \u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eThe secret commander of the Dresden Staatskapelle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eBorn in Niederpoyritz near Dresden in 1910, Rudolf Kempe was trained as a pianist and oboist at the orchestral school of the Sächsische Staatskapelle in Dresden between 1924 and 1928.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eAfter posts as an orchestra musician in Dortmund and Leipzig he made his debut as a conductor in Leipzig in 1935. After further conducting posts in Chemnitz and Weimar he was brought to Dresden in 1949 by Joseph Keilberth and made General Music Director of the Dresden Opera and Staatskapelle the following year. Semper’s famous opera house lay in ruins, like the whole of the city centre, whereas the evacuated Staatskapelle had survived the war and the post-war years largely intact. With an ensemble that included Gottlob Frick, Kurt Böhme, Elfriede Trötschel, Christel Goltz and other great artists, the new GMD had a splendid vocal team at his disposal.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eKempe later recalled: “For my career, those were the happiest years of my life – the last glimpse of ‘Paradise’: with opera, concerts and chamber music all year round in the same place.”\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eRingo Gruchenberg\u003cbr\u003eTranslation: Janet and Michael Berridge\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-large\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eIn memory of Rudolf Kempe (1910–1976)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eWhen this record was made in early 1976, there was nothing to suggest that it would be the last recording ever to be directed by Rudolf Kempe. By that time Kempe had already committed to directing a major recording project, featuring all the instrumental works of Richard Strauss. A further, no less significant project was to follow, covering all of Strauss’s operas. On May 12, 1976, Rudolf Kempe died unexpectedly in Zurich at 65 years of age, one of the most refined and versatile conductors of our time.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eBenjamin Britten wrote the \u003cstrong\u003eSinfonia da Requiem\u003c\/strong\u003e op. 20 during the Second World War at 26 years of age. It is considered one of his few large-scale orchestral works and demonstrates his great compositional skill, his ability to incorporate a very wide range of old and new musical initiatives in his works without disowning his own original style; quite significantly, the work underscores his humanistic outlook, which he once summed up as follows: “I believe that an artist should be part of his community, should work for it, with it, and be used by it.” The titles of the three movements that follow one another without any breaks mirror the progression of a requiem, thus illustrating the British composer’s intention to express certain views of his in the music. Centred on the key of D major, the work is characterised by a serious intensity of expression and a remarkable thematic coherence. After some severe orchestral blows the first movement (Lacrymosa) sees the cellos take up the lugubrious main theme in persistent, heavy syncopation in 6\/8 time; this theme is linked to all the other themes, including the saxophone motif with the tension-filled seventh interval; the second movement paints a picture of horror and dread (Dies irae), starting with a rhythmically accentuated flute motif in \u003cem\u003epianissimo\u003c\/em\u003e before building up to create bizarre escalations. Accompanied by swaying harp sounds, the final movement (Requiem aeternam) starts with an expressively tranquil “song” in the flutes. The middle section of the three-part finale sees the strings play the funereal theme of the first movement in a modified, elucidated form. The continuous surge of feeling and the final passage, which ends quietly, eventually give rise to optimism.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eThe premiere of \u003cstrong\u003e\u003cem\u003eThe Firebird\u003c\/em\u003e\u003c\/strong\u003e in Paris in 1910 consolidated the international standing of the 28-year-old Igor Stravinsky (1882–1971) as a ballet composer (followed by \u003cem\u003ePetrushka\u003c\/em\u003e in 1911 and \u003cem\u003eThe Rite of Spring\u003c\/em\u003e in 1913). The Russian fairytale of the Firebird is based on the age-old humanistic idea of the triumph of good over evil: the beautiful Tsarevna has been taken prisoner by the evil sorcerer Kashchei. Prince Ivan Tsarevich sets out to rescue her. He captures the colourful Firebird and, upon releasing her, is given one of her magical feathers, which helps him to disempower and kill the evil sorcerer, thus saving all of those imprisoned under Kashchei’s spell. They celebrate the bravery of their liberator, who takes the beautiful Tsarevna as his bride. The suite evokes visions from the ballet in a display of symphonic intensity. Igor Stravinsky’s score is in some respects indebted to his mentor Rimsky-Korsakov, notably the practice of portraying people in diatonic themes reminiscent of folk songs while characterising the fairytale figures by means of chromatic themes with oriental colouring.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eEckart Schwinger (original LP sleeve notes, 1977)\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eTranslation: J \u0026amp; M Berridge\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sqsrte-small\" data-rte-preserve-empty=\"true\"\u003eTranslator's note: original quote by Benjamin Britten from his speech on receiving the honorary freedom of the Borough of Aldeburgh on October 22, 1962.\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 L’oiseau de feu et sa danse - Variation de l’oiseau de feu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Ronde de princesses\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Danse infernale du roi Kastschej\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Berceuse\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Final\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"prefade\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079389589839,"sku":"000102038","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079389622607,"sku":"000103038","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Rudolf_Kempe_Strawinski_Britten_Cover.jpg?v=1759739020"},{"product_id":"antonin-dvorak-symphony-no-8","title":"Antonín Dvořák - Symphony No. 8","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSymphony No.8 (4) in G major, Op.88\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBerliner Philharmoniker - Rafael Kubelik\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eAntonin Dvorak's 8th Symphony in G major sounds like a Bohemian ballad. The customary sequence of movements here forms a mere groundplan for the interplay of fresh melodies, and for highly personal instrumental effects, which are no longer derived from the example of Brahms. A rhapsodic feeling runs through the entire work, which was written between the 26th August and the 8th November 1889.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDvorak complained at that time that his head was so full of melodies, his hand was scarcely able to get them down on paper quickly enough.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThis abundance of ideas determined the character of the entire work, seemingly without pausing to reflect, Dvorak poured out tune after tune, invented unusual tonal combinations, and made major and minor episodes alternate in close proximity to one another. A typical ballad-like feature is the opening of the Allegro con brio in the minor; then a rising arpeggio figure in the flute leads into the major, and establishes the decisive, dotted rhythm.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThis movement is typical of Dvorák's »Slavonic« period; it may be regarded as a musical reflection of the Bohemian character - one moment fiery, the next moment sunk in melancholy.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe Adagio in E flat major continues in this rhapsodic vein, with themes abruptly broken off, interplay between strings and woodwind, short and remarkably original development sections, rapid and unexpected contrasts.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe introductory theme of the Adagio is transformed in the third movement into a Waltz in three-eight time, beginning in G minor and going its way with symphonic élan. In the rhythmically striking G major Trio the woodwind quote a gaily bucolic tune from Dvorak's comic opera \"The Pigheaded”\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eA challenging trumpet fanfare heralds the Finale, whose dance-like two-four theme is transformed into lively variations. The initial motif of the variation theme is the same broken G major triad which, in a similar rhythmic form, had determined the shape taken by the principal subject of the first movement. The variations proceed in an uncomplicated manner, with rich figuration, the basic theme frequently coming to the fore with striking effect. This Finale proves the fact that, skilfully orchestrated, a potent theme can repeated again and again without becoming boring. A Stretta whose elan would do credit to Tehaikovsky rounds off the variations.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDvorak dedicated the G major Symphony to the \"Bohemian Franz Joseph Academy for the Promotion of Art and Literature\". He conducted the world première at Prague in February 1890.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eOwing to the fact that the score was first published by Novello in London, this work has sometimes been known, misleadingly, as the \"English Symphony\". In fact it is one of Dvorak's most essentially Bohemian compositions, the Slavonic Symphony par excellence, created by a musician close to nature and devoted to his native land.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Allegro con brio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Allegretto grazioso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro, ma non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079416361295,"sku":"000102041","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079416394063,"sku":"000103041","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Antonin_Dvorak_Symphony_No8_Cover.jpg?v=1759739260"},{"product_id":"johannes-brahms-concerto-for-piano-and-orchestra-no-2","title":"Johannes Brahms - Concerto for Piano and Orchestra No.2","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eConcerto for Piano and Orchestra No.2 in B flat major, Op.83\u003cbr\u003eKonzert für Klavier und Orchester Nr.2 B-dur op.83\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eEmil Gilels\u003c\/strong\u003e, Piano\u003cbr\u003e\u003cstrong\u003eBerliner Philharmoniker\u003cbr\u003eEugen Jochum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cspan\u003e01 Allegro non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Allegro appassionato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Andante\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegretto grazioso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079456764239,"sku":"000102042","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079456797007,"sku":"000103042","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Brahms_Concerto_For_Piano_No2_Cover.jpg?v=1759740348"},{"product_id":"antonin-dvorak-symphony-no-9-from-the-new-world","title":"Antonín Dvořák - Symphony No. 9 From The New World","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eSymphony No.9 in E minor, Op.95 \u003cbr\u003e“From The New World“\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSymphonie Nr.9 e-dur op.95 \u003cbr\u003e“Aus Der Neuen Welt”\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBerliner Philharmoniker - Rafael Kubelik\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe name \"From the New World\" which Dvorak himself gave his Symphony in E minor, Op. 95, clearly points to the basic idea underlying this work. The contact with the folk music of another land which the Czech composer made during his years in America undoubtedly had a stimulating effect on his creative imagination-a fact which is evident both from available written accounts and from Dvorak's compositions of that period.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eHenry Thacker Burleigh, who often demonstrated old plantation songs at Dvoraks house, later emphasized how deeply impressed his teacher had been by the Negro Spirituals. It was Burleigh, too, who first drew attention to the thematic relationship between the Spiritual \"Swing low, sweet chariot\" and the second subsidiary theme of this Symphony's first movement, introduced by the flute. It seems of little account whether Dvorak himself was aware of this similarity. But for his interest in the songs of his pupils, however, such a work as the \"New World\" Symphony would never have been written.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe tension built up during the slow Introduction is relaxed by the entry of the striking horn theme, which is to influence all four move-ments. The American character (lowered leading note) of the subsidiary theme, played by the flutes and oboes, is largely overshadowed by its mood of Slavonic melancholy. This and the second subsidiary theme, already mentioned, are in strong contrast to the principal subject of this clearly fashioned movement. For the composition of the Largo in D flat major, entitled \"Legend\" in the sketches, Dvorak was inspired, as he himself declared, by a passage from Longfellow's epic poem of the American wilds \"The Song of Hiawatha\", widely popular at that time.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eAgainst a background of muted strings the cor anglais plays a broadly flowing lament. Its pentatonic melody (lacking the fourth and the leading note) creates a feeling of desolation and of endless wastes. Hiawatha, son of the West Wind, mourns the death of his wife Minnehaha, the lovely Redskin girl \"From the land of the Dacotahs\". Another scene from Longfellow's poem, the Indian dance at Hiawatha's wedding feast, comes vividly to life in the Scherzo. Here again, though, organically woven into the texture of the music there are recollections of the composer's Czech homeland.-No less remarkable is the work's Finale. With contrapuntal mastery Dorak here combines themes from the previous movements, some of them only suggested, with the motive material of this Allegro con fuoco, whose sharply profiled main them rings out triumphantly for the last time to crown the coda.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eDvorák worked on this Symphony from January to May 1893, and on the 16th December of that year its world première was conducted by Anton Seidi at a New York Philharmonic concert in the Carnegie Hall. According to a report in the New York Herald, enthusiastic applause for Dvorak broke out after the second movement.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eIts immensely successful première launched this work, which is still the most popular of Dvorák's symphonies, on a triumphal progress of the world's concert halls.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003eTrack List\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Adagio - Allegro molto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Largo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Scherzo: molto vIvace\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro con fuoco\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079474557263,"sku":"000102043","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079474590031,"sku":"000103043","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Antonin_Dvorak_Symphony_No9_Cover.jpg?v=1759740728"},{"product_id":"martha-argerich-prokofieff-ravel","title":"Martha Argerich - Prokofieff \u0026 Ravel","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBerliner Philharmoniker - Claudio Abbado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eSergei Prokofieff\u003c\/strong\u003e - \u003cbr\u003eConcerto for Piano and Orchestra No. 3 in C major, Op. 26\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eMaurice Ravel\u003c\/strong\u003e - \u003cbr\u003eConcerto for Piano and Orchestra in G major\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eMartha Argerich\u003c\/strong\u003e, Piano\u003cbr\u003e\u003cstrong\u003eBerliner Philharmoniker\u003cbr\u003eClaudio Abbado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cspan\u003e01 Andante - Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Thema - Andantino\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Listesso tempo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Allegro moderato\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Andantino meditativo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Allegro guisto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Thema -Listesso tempo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Allegro ma non troppo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Allegramente\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Adagio assai\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Presto\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079580070223,"sku":"000102044","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079580102991,"sku":"000103044","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Martha_Argerich_Prokofieff_Ravel_Cover.jpg?v=1759741352"},{"product_id":"johannes-brahms-concerto-for-piano-and-orchestra-no-1","title":"Johannes Brahms - Concerto for Piano and Orchestra No. 1","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eConcerto for Piano and Orchestra No.1 in D minor, Op. 15\u003cbr\u003eKonzert für Klavier und Orchester Nr.1 d-moll op.15\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eEmil Gilels\u003c\/strong\u003e, Piano\u003cbr\u003e\u003cstrong\u003eBerliner Philharmoniker\u003cbr\u003eEugen Jochum\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eLabel: Deutsche Grammophon\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Maestoso\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Adagio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Rondo. Allegro non troppo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079598059855,"sku":"000102045","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079598092623,"sku":"000103045","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Brahms_Concerto_For_Piano_No1_Cover.jpg?v=1759742355"},{"product_id":"mussorgski-pictures-at-an-exhibition-night-on-bald-mountain","title":"Mussorgski - Pictures At An Exhibition \u0026 Night On Bald Mountain","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGewandhausorchester Leipzig\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eIgor Markevitch\u003c\/strong\u003e, conductor\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eModest P. Mussorgsky\u003c\/strong\u003e (1839–1881) wrote \u003cem\u003ePictures at an Exhibition\u003c\/em\u003e for piano in 1874, inspired by an exhibition that was arranged to commemorate the painter and architect Viktor Hartmann, who had been a close friend of Mussorgsky for several years. Mussorgsky was devastated when the painter suddenly died of a heart condition in the summer of 1873. “Such grief!” he wrote in a letter. “Oh unfortunate Russian art! This silly fool, death, mows everything down without even asking whether or not his wretched visit is desired. If only talents could at least grow like mushrooms!” The critic Vladimir Stasov organised an exhibition of Hartmann’s watercolours and drawings, which Mussorgsky attended with a heavy heart. The pictures made a profound impression on him and inspired him to write a series of ten pieces, introduced and linked together by the recurring interlude of the Promenade.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e1. Gnomus\u003c\/strong\u003e: this picture shows a gnome who clumsily scampers about on deformed legs.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e2. Il vecchio castello\u003c\/strong\u003e: a troubadour sings his song in front of a mediaeval Italian castle.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e3. Tuileries\u003c\/strong\u003e: children at play squabble on one of the avenues of the Tuileries Garden in Paris.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e4. Bydlo\u003c\/strong\u003e: a ponderous Polish ox cart gradually rattles along on its monotonously rolling wheels.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e5. Ballet of the unhatched chicks\u003c\/strong\u003e: this piece is based on a drawing by Hartmann portraying the hatching of chicks.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e6. Samuel Goldenberg and Schmuyle\u003c\/strong\u003e: this scene depicts a discussion between a poor and a rich Jew.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e7. Market place at Limoges\u003c\/strong\u003e: amidst the whirring activity at the market in Limoges, this piece brings out the chatter and quarrelling of market women.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e8. Catacombae\u003c\/strong\u003e: in this picture Hartmann had portrayed himself exploring the Paris catacombs by lantern light. Musorgsky noted the following in the manuscript: “The creative spirit of the departed Hartmann leads me to the skulls and calls to them, and the skulls start to glow softly from within.”\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e9. The Hut of Baba Yaga\u003c\/strong\u003e: a clock designed in the form of a hut on chicken legs, representing the \u003cem\u003eizbushka\u003c\/em\u003e belonging to the dreaded witch of Russian folklore. Musorgsky incorporates the witch’s frenzied flight in a mortar into his music.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e10. The Great Gate of Kiev\u003c\/strong\u003e: this drawing by Hartmann shows his design for a gateway leading into the city of Kiev. The gateway appears in the grand, ancient Russian style, with a cupola shaped like a Slavonic helmet.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eWolfgang Börner (original LP sleeve notes, 1974)\u003cbr\u003eTranslation: J \u0026amp; M Berridge\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRepertoire classic stripped of its patina\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eIgor Markevitch\u003c\/strong\u003e enjoys a legendary reputation. He was successful both as a conductor of leading orchestras and as a composer and (university) lecturer. His pupils include Daniel Barenboim, Herbert Blomstedt and Wolfgang Sawallisch. In his autobiography \u003cem\u003eDie Musik – mein Leben\u003c\/em\u003e (music, my life) Barenboim recalls that Igor Markevitch had taught him “a personal, highly individual style of conducting”. In his Salzburg course he was “completely preoccupied with the clarity of the sound, the clarity of the rhythm and the clarity of the gesture”.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003eOne witness to that period in the orchestra’s history is solo cellist \u003cstrong\u003eJürnjakob Timm\u003c\/strong\u003e, a full member of the Gewandhaus orchestra since 1973 and a stand-in even earlier. Looking back he spontaneously recalls Markevitch’s “very good conducting technique” as “an impressive experience”. It was “through sheer ability” (and not as a tyrant of the rostrum) that the conductor had communicated his concepts to the orchestra. His way of working had been a sound compromise between the extremes of rehearsal fetishist and \u003cem\u003eAbenddirigent\u003c\/em\u003e (a conductor who rises to the occasion in the actual performance). After a thorough rehearsal of the work to be played, “making music with him was highly intensive on the night”.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eDirk Stöve\u003cbr\u003eTranslation: Janet and Michael Berridge\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003eLabel: Eterna\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e01 Gnomus\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Il vecchio castello\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Tuileries\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Bydlo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Ballet of the unhatched chicks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Samuel Goldenberg and Schmuyle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Market place at Limoges\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Catacombae\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 The Hut of Baba Yaga\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 The Great Gate of Kiev\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eClaus Müller\u003c\/strong\u003e\u003cspan\u003e from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFor the full review, visit \u003c\/span\u003e\u003ca href=\"https:\/\/www.audiotapereview.com\/0602024mussorgskipictures\" target=\"_blank\"\u003e\u003cu\u003ehttps:\/\/www.audiotapereview.com\/0602024mussorgskipictures\u003c\/u\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079634989391,"sku":"000102046","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079635022159,"sku":"000103046","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Mussorgski_Pictures_Night_Cover.jpg?v=1759760992"},{"product_id":"johann-sebastian-bach-organ-works","title":"Johann Sebastian Bach - Organ Works","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eJohann Sebastian Bach - Orgelwerke (Organ Works)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eHelmut Walcha is regarded as an authority on Bach interpretation - no other organist since the invention of the record has had such a lasting impact with his Bach playing. Always with a reputation for a certain sobriety and austerity, Walcha contrasts in a fascinating way with his colorful and surprising registrations on the monumental organ by Arp Schnitger. Walcha's interpretative realization is legendary; it is not only the first ever recording on historical instruments, but is itself a highlight in the history of recording.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-pm-slice=\"1 1 []\" data-rte-preserve-empty=\"true\"\u003e01 Toccata and Fugue in D minor, BWV 565\u003cbr\u003e02 Trio Sonata No.6 in G major, BWV 530\u003cbr\u003e03 Prelude and Fugue in C major, BWV 547\u003cbr\u003e04 Trio Sonata No.1 in E flat major, BWV 525\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reel(s) - Special Archive Box(es) - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eReviews\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eClaus Müller\u003c\/strong\u003e from audiotapereview.com rated this tape 5\/5 in the category Music and 5\/5 in the category Sound.\u003cbr\u003eFor the full review, visit \u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/www.audiotapereview.com\/0982025bachseriesforganworks\" target=\"_blank\"\u003ehttps:\/\/www.audiotapereview.com\/0982025bachseriesforganworks\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079799648591,"sku":"000102113","price":495.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079799681359,"sku":"000103113","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Bach_Organ_Works_Cover.jpg?v=1759743826"},{"product_id":"claudio-abbado-debussy-ravel","title":"Claudio Abbado - Debussy \u0026 Ravel","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eThe \u003cstrong\u003eBoston Symphony Orchestra\u003c\/strong\u003e conducted by \u003cstrong\u003eClaudio Abbado\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eClaude Debussy - Trois Nocturnes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThe music of Claude Debussy has so often been paired with the art of the impressionist painters that it is almost upsetting to know that the composer himself, for a time at least, had other tastes. In 1899, shortly before the time he began work on the Three Nocturnes for orchestra, Debussy, in answering one of the then fashionable questionnaires on personal tastes, declared his favorite painters to be Botticelli and Gustave Moreau. A strange choice? Not when we remember that among the artistic currents of the time were pre-Raphaelitism and art nouveau, and Debussy was as much involved with them as with Impressionism. One thing in particular which he shared with the former was the idea of \"the divine arabesque\", the concept of art (and music) as a decorative pattern. This was a very new idea in Western music and it, as much as anything else, differentiates the music of Debussy from all that came before it.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eMaurice Ravel -Daphnis et Chloé \u0026amp; Pavane\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eMaurice Ravel wrote his score for Daphnis et Chloé for Serge Diaghilev's Ballet Russe on a commission proferred in 1909. Due to a horrendous series of disagreements, however, involving Ravel, Diaghilev, Fokine the choreographer, Nijinky the dancer, and Bakst the stage designer, the ballet did not receive its first performance until June 8, 1912, when it was given at the \"Théâtre du Châtelet\" with Pierre Monteux conducting. In fact, it was not the première of the music: excerpts from the score had been performed in concert more than a year before. The delay of the ballet performance denied Ravel the great success he should have had with the work, for only a week before, the same company had given the first performance of Debussy's Prélude à l'après-midi d'un faune, and the furor generated by that work left the musical public too preoccupied and too exhausted to be astonished again quite so soon.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eRavel's Pavane pour une infante défunte (Pavane for a Dead Princess) was originally written for piano solo in 1899 and scored for orchestra by the composer in 1908. It was dedicated to the Princess Edmond de Polignac.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrois Nocturnes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e01 Nuages (Modéré - Une peu animé)\u003cbr\u003e02 Fêtes (Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement)\u003cbr\u003e03 Sirènes (Modérément animé)\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDaphnis et Chloé \u0026amp; Pavane\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e04 Daphnis et Chloé\u003cbr\u003e05 Pavane pour une Infante défunte\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Archive Box - Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079847850319,"sku":"000102122","price":495.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079847883087,"sku":"000103122","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Claudio_Abbado_Debussy_Ravel_Cover.jpg?v=1759744143"},{"product_id":"itzhak-perlman-tchaikovsky-violin-concerto","title":"Itzhak Perlman - Tchaikovsky Violin Concerto","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eDiscover the brilliance of one of the most beloved violin concertos in the classical repertoire, as performed by the legendary Itzhak Perlman. In this exceptional recording, Perlman brings his virtuosity and passion to Tchaikovsky’s \u003cem\u003eViolin Concerto\u003c\/em\u003e, delivering a performance of unparalleled emotional depth and technical mastery.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eAdd this magnificent recording to your collection and experience Tchaikovsky’s \u003cem\u003eViolin Concerto\u003c\/em\u003e in its most captivating form, brought to life by one of the greatest violinists of our time.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eViolin Concerto In D, Op. 35 \u003cbr\u003e01 1st Movement: Allegro Moderato\u003cbr\u003e02 2nd Movement: Canzonetta (Andante)\u003cbr\u003e03 3rd Movement: Allegro Vivacissimo\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e04 Sérénade Mélancolique, Op. 26\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Editon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover and Back – Unique Serial Number on Reel and Credit Art Print - Revox I Horch House Deluxe Packaging\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels – 2 Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover (both sides) and the Original Master Tape Boxes – Unique Serial Number on first Reel and Credit Art Print - Revox I Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Limited Edition by Itzhak Perlman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e10 public copies of each Album with personal signing on first metal reel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels – 2 Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover (both sides), the Original Master Tape Boxes, four of Itzhak Perlman – Unique Serial Number on first Reel and Credit Art Print - Revox I Horch House Limited Edition Flight Case\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56079924592975,"sku":"000102137","price":495.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56079924625743,"sku":"000103137","price":650.0,"currency_code":"EUR","in_stock":true},{"title":"Limited Edition Master Tape","offer_id":56079924658511,"sku":"000110137","price":1495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Perlman_Tchaikovsky_Violin_Concerto_Cover.jpg?v=1759744650"},{"product_id":"itzhak-perlman-vivaldi-four-seasons","title":"Itzhak Perlman - Vivaldi Four Seasons","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eExperience the timeless beauty of Antonio Vivaldi's \u003cem\u003eThe Four Seasons\u003c\/em\u003e through the masterful performance of legendary violinist Itzhak Perlman. With his unparalleled technical brilliance and emotional depth, Perlman brings a fresh and captivating interpretation to this iconic baroque masterpiece.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eThis album is an essential addition to any classical music lover's collection, offering an exceptional fusion of virtuosity and lyricism. Whether you're a seasoned listener or a newcomer to Vivaldi's work, Perlman's \u003cem\u003eThe Four Seasons\u003c\/em\u003e promises an unforgettable musical journey.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e01 Concerto No. 1 in E major, RV 269 \"La primavera\" (\"Spring\")\u003cbr\u003e02 Concerto No.2 in G minor, RV 315 \"L'estate\" (\"Summer\")\u003cbr\u003e03 Concerto No.3 in F major, RV 293 \"L'autunno\" (\"Autumn\")\u003cbr\u003e04 Concerto No.4 in F minor, RV 297 \"L'inverno\" (\"Winter\")\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Editon\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 1 Metal Reel - Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover and Back – Unique Serial Number on Reel and Credit Art Print - Revox I Horch House Deluxe Packaging\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e\u003cstrong\u003eStudio Master Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels – 2 Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover (both sides) and the Original Master Tape Boxes – Unique Serial Number on first Reel and Credit Art Print - Revox I Horch House Deluxe Packaging\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e\u003cstrong\u003eStudio Master Limited Edition by Itzhak Perlman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e\u003cstrong\u003e10 public copies of each Album with personal signing on first metal reel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"MsoNormal\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels – 2 Special Climate Control Archive Box – Art folder with following content: Art Prints of the Vinyl Cover (both sides), the Original Master Tape Boxes, four of Itzhak Perlman – Unique Serial Number on first Reel and Credit Art Print - Revox I Horch House Limited Edition Flight Case\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master","offer_id":56080240050511,"sku":"000102138","price":495.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master","offer_id":56080240083279,"sku":"000103138","price":650.0,"currency_code":"EUR","in_stock":true},{"title":"Limited Edition Master Tape","offer_id":56080240116047,"sku":"000110138","price":1495.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Itzhak_Perlman_Vivaldi_Four_Seasons_Cover.jpg?v=1759745395"},{"product_id":"friedrich-gulda-the-well-tempered-clavier","title":"Friedrich Gulda - The Well-Tempered Clavier","description":"\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eJohann Sebastian Bach - \u003cbr\u003eThe Well-Tempered Clavier\u003cbr\u003eDas Wohltemperierte Klavier\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFriedrich Gulda - Bach\u003c\/strong\u003e - complete recordings of The Well-Tempered Clavier\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eIt is not presumptuous to claim that two monumental events in Western music meet in Friedrich Gulda's recording of the Well-Tempered Clavier. Firstly, this very special recording which dates from the years 1972-73 and represents the highlight and culmination of the collaboration between the Austrian pianist and the Villingen sound wizard Hans Georg Brunner-Schwer, and their aspirational goal of attaining the optimal sound. It is exactly this quality which makes Gulda's interpretation so vital and daring even today. Secondly, the work itself. With the complete sequence of preludes and fugues in all 24 keys, Johann Sebastian Bach had created a series of works which brought the development of tempered tuning a quantum leap forward.\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003eThe recordings are now available in unprecedented sound quality. The original analogue recordings from 1972\/73 form the basis of Christoph Stickel's unobtrusive \"refurbishing\" which aims to avoid any artistic intervention. 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Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStandard Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM LPR90 - 15IPS - 38cm\/sec - CCIR - 320 nWb\/m - 2 Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging (Part 2\/3 only 1 Reel)\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 2 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Horch House","offers":[{"title":"Standard Master \/ Part 1\/1","offer_id":56080377708879,"sku":"000102006","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Standard Master \/ Part 1\/2","offer_id":56080377741647,"sku":"000102007","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Standard Master \/ Part 2\/1","offer_id":56080377774415,"sku":"000102008","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Standard Master \/ Part 2\/2","offer_id":56080377807183,"sku":"000102009","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Standard Master \/ Part 2\/3","offer_id":56080377839951,"sku":"000102010","price":480.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master \/ Part 1\/1","offer_id":56080377872719,"sku":"000103006","price":595.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master \/ Part 1\/2","offer_id":56080377905487,"sku":"000103007","price":595.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master \/ Part 2\/1","offer_id":56080377938255,"sku":"000103008","price":595.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master \/ Part 2\/2","offer_id":56080377971023,"sku":"000103009","price":595.0,"currency_code":"EUR","in_stock":true},{"title":"Studio Master \/ Part 2\/3","offer_id":56080378003791,"sku":"000103010","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Gulda_Bach_Well_Tempered_Clavier_Cover.jpg?v=1759745923"},{"product_id":"maria-callas-verdi-arias","title":"Maria Callas - Verdi Arias","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eOnly one of the roles represented in this Verdi recital figured in Callas’s stage repertoire: Elisabetta in \u003c\/span\u003e\u003cem\u003eDon Carlo\u003c\/em\u003e\u003cspan\u003e, which she performed at La Scala in 1954. From the same opera she also sings Eboli’s mezzo-soprano showpiece “O don fatale”, a feature of her recitals in the early 1960s. An adventurous choice are Mina’s arias from the rarely-heard Aroldo (Verdi’s reworking of Stiffelio): ‘The vivid pronunciation of the words, the burning emotion conveyed by tone-colour, and the powerful and eloquent sense of rhythm, are all memorable. So is the fearless quality of Callas’s singing,’ said \u003c\/span\u003e\u003cem\u003eGramophone\u003c\/em\u003e\u003cspan\u003e. When it came to Desdemona’s scene from Act IV of Otello, the critic wrote: ‘Verdi’s music is brought to life as by no other artist. Her voice is in fine state: very beautiful, and drawing a full glorious line.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e01 Mia madre aveva una povera ancella (Otello Act 4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Piangea cantando - Willow Song (Otello Act 4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Ave Maria piena di grazia (Otello Act 4)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Ciel, chio respiri! (Savami, salvami, tu gran Dio!) (Aroldo Act 1)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 O don fatale (Don Carlo Act 3)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 O Cielo! 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It is no coincidence that conductor André Previn has described himself as “a complete romantic” and that this recording has become a classic of the catalogue. When it was made in 1976, Previn had spent the best part of a decade as Principal Conductor of the London Symphony Orchestra. With their combination of show business flair and deep sensitivity, he and the LSO’s players proved to be the ideal team for Tchaikovsky’s glorious ballet music.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Introduction (Moderato assai)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Scène (Allegro giusto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Valse - Intrada (Tempo di valse)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Sene (Allegro moderato,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Pas de trois - I. Intrada (Allegro) II. Adagio (Andante sostenuto) III. Allegro simplice - Presto IV. Moderato V. Allegro VI. Coda (Allegro vivace)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Pas de deux • I. Tempo di valse II. Andante - Allegro - Molto più mosso - III. Tempo di valse IV. Coda (Allegro molto vivace)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Pas d'action (Andantino quasi moderato - Allegro)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Sujet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Danse des coupes (Tempo di polacca)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Finale (Andante)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Scene (Moderato)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Scene (Allegro moderato - Allegro vivo)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Scene (Allegro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 Danses de Cygnes - I. Tempo di Valse II. Andante-Allegro Molto Piu Mossa III. Tempo di Valse IV. Coda (Allegro Molto Vivace)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Scene (Moderato)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 Scène (Allegro giusto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 Danses du corps de ballet et des nains (Moderato assai - Allegro vivo)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 Scène! La sorte des Invites et la valse (Allearo - Temoo di valse)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 Scène (Allegro - Allegro giusto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 Pas de six - Intrada (Moderato assai) - Variation 1 (Allegro) - Variation 2 (Andante con moto) - Variation 3 Moderato) - Variation 4 Allegro) - Variation 5 (Moderato - Allegro simplice - Coda (Allegro molto)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 Appendix I: Pas de deux: Introduction (Moderato - Andante) - Variation 1 (Allegro moderato) - Variation 2 (Allegro) - Coda (Allegro molto vivace)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 Danse hongroise Czardas (Moderato assai - Allegro moderato - Vivace) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e23 Appendix Il: Danse russe (Cadenza - Andante simipice - Allegro vivo)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e24 Danse espagnole (Allegro non troppo - Tempo di Bolero)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e25 Danse napolitaine (Allegro moderato - Andantine quasi moderato)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26 Mazurka\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e27 Scène (Allegro - Valse - Allegro vivo)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 Entr'acte (Moderato)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e29 Scène (Allegro non troppo)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 Danses des petits cygnes (Moderato)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e31 Scène (Allegro agitato - Allegro vivace)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e32 Scène Finale (Andante - Allegro agitato - Alla breve - Moderato e maestoso)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 6 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Revox | Horch House","offers":[{"title":"Studio Master","offer_id":56468418003279,"sku":"000103152","price":1495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Tchaikovsky_Swan_Lake_Cover.jpg?v=1763652483"},{"product_id":"alban-berg-quartett-beethoven-early-strings-quartets","title":"Alban Berg Quartett - Beethoven Early Strings Quartets","description":"\u003cp data-rte-preserve-empty=\"true\"\u003eFor nearly forty years the Alban Berg Quartett has been considered one of the most famous quartets of all time, performing regularly in music capitals and major festivals throughout the world. They had their own concert series at the Vienna Konzerthaus (where they made their debut in 1971 and where they are now Honorary Members), at the Royal Festival Hall London, (where they are Associate Artists), at the Opera Zurich, the Theatre des Champs-Elysées in Paris, the Cologne Philharmonie and at the Alte Oper Frankfurt.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003eSince they were founded the Alban Berg Quartett have been prolific recording artists and have received over thirty major international awards, including the Grand Prix du Disque, the Deutsche Schallplattenpreis, the Edison Prize, the first International Classical Music Award, the Japan Grand Prix, and the Gramophone Magazine Award. 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This opera blends playfulness, darkness and a magic tale. Its music ranges from soaring arias to lively ensembles, showcasing Mozart’s unmatched ability to unite different aspects in music. A masterpiece that continues to inspire audiences worldwide.\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTrack List\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e01 Introduktion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Lied \"Der Vogelfänger Bin Ich Ja\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Arie \"Dies Bildnis Ist Bezaubernd Schön\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Rezitativ Und Arie \"O Zittre Nicht, Mein Lieber Sohn!\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Quintett \"Hm! Hm! Hm! Hm! \/ Der Arme Kann Von Strafe Sagen\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Terzett \"Du Feines Täubchen, Nun Hinein!\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Duett \"Bei Männern, Welche Liebe Fühlen\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Finale \"Zum Ziele Führt Dich Diese Bahn\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e09 Marsch Der Priester\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e10 Arie Und Chor \"O Isis Und Osiris\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e11 Duett \"Bewahret Euch Vor Weiberstücken\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e12 Quintett \"Wie? Wie? Wie? Ihr An Diesem Schreckensorte\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e13 Arie \"Alles Fühlt Der Liebe Freuden\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e14 Arie \"Der Hölle Rache Kocht In Meinem Herzen\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e15 Arie \"In Diesen Heil' gen Hallen\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e16 Terzett \"Seid Uns Zum Zweiten Mal Wilkommen\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e17 Arie \"Ach, Ich Fühl\", Es Ist Verschwunden\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e18 Chor \"O Isis Und Osiris\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e19 Terzett \"Soll Ich Dich, Teurer! Nicht Mehr Sehn?\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20 Arie \"Ein Mädchen Oder Weibchen\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e21 Finale \"Bald Prangt, Den Morgen Zu Verkünden\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e22 Finale (Verwandlung) \"Der, Welcher Wandelt Diese Straße Voll Beschwerden\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3 data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTechnical Details \u0026amp; Product Configurations\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStudio Master Product Configuration:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e1\/4” - 2 Track RTM SM900 - 15IPS - 38cm\/sec - CCIR - 510 nWb\/m - 6 Precision Metal Reels - Special Archive Boxes - Horch House Deluxe Packaging\u003c\/p\u003e","brand":"Revox | Horch House","offers":[{"title":"Studio Master","offer_id":56559958557007,"sku":"000103157","price":1495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0951\/5935\/3679\/files\/Mozart_Die_Zauberfloete_Cover.jpg?v=1764946656"}],"url":"https:\/\/www.horchhouse.com\/en-at\/collections\/classical-music.oembed?page=2","provider":"Revox | Horch House","version":"1.0","type":"link"}